keith jarrett old man river transcription

#Keith jarrett old man river transcription full
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The following is a necessarily brief resumé of his discography but really if you want to discover him then stick a pin in anything he’s done and you are unlikely to be disappointed. An inductee into the Down Beat Hall of Fame in 2008, Jarrett’s work is revered on both sides of the Atlantic: he is phenomenally popular in Europe. He is much decorated and received the Polar Music Prize in 2003, following that a year later with the Léonie Sonning Music Prize. His association with us is rich and varied via the labels Atlantic, ECM, impulse! and Universal Classics and since his time with Miles Davis, he has largely eschewed electronic sound in favour of acoustic playing with a fervour that makes him a crusader. A multi-instrumentalist – he also plays the guitar, flute drums, bass celeste and the saxophone family – he often treats his live albums as improv but then he might beguile you with a variation on a theme or a pure song. It’s the obvious portal to his genius but far from the limit of his achievements. His monumental 1975 The Köln Concert is the best-selling piano album of all time and the best-selling solo album in jazz history. And yet everything he does is highly listenable and unique. He is also a wonderful classical player who just so happens to branch off into fusion, folk-rock – yep – and the furthest out improvisation. But if you think that makes him a jazz artist, think again.

Since he began playing as a child prodigy in Allentown his career path has raised exponentially from stints with Art Blakey, Charles Lloyd and Miles Davis. His musical output, which is prodigious, his effusive style, his wealth of ideas and his gorgeous music mean that you’d be a damn fool to try and define him. It gets harder, because my whole goal is not to repeat myself, and in some way bring something else into the world that wasn't there before in quite that way.What can we say about this monumental talent? The truly great American pianist Keith Jarrett is one of that rare breed of artists who it is impossible to truly define. 'No matter what people think, no matter how many hundreds of times I've done it, it doesn't get easier. 'I felt strangely at ease on stage, which is rare anyway,' he says. Perhaps it's a part of the reason that Jarrett claims to have made some of his best work after 50 years.

#Keith jarrett old man river transcription full

And this particular fuel was full of hope.' Something about the way my life has gone has allowed me to weave through that stuff, and use the next experience in my life as fuel for the music. 'And I remember being at ease, and I can only say that was because of a new relationship, partly. 'But in Rio, it's as you say, much more positive, and much more hopeful, and much more joyful,' Jarrett says.

Now, he is engaged again - and in Rio de Janeiro, the relationship was still new. It doesn't feel good, but if you're an improviser, you wonder, 'What will I play now?' So for a while, the curiosity of your new situation creates the music.' 'Whenever a change happens in a person's life - especially a large change, and especially an unpredictable one, like your spouse leaving or something - if you're an artist, you can use that,' Jarrett says. He speaks of the experience as an influence on his music at the time. Three years ago, Jarrett went through a divorce from his wife of 30 years. But what can you do worse than that if you're dancing? The same with this.' 'Like Jennifer Beals in Flashdance: She falls over it's her worst nightmare come true. 'But you have to be ready to fall on your face - flat on your face - and have failed miserably,' he says. It's a liberating experience, he acknowledges, to play solo.

#Keith jarrett old man river transcription free

So that made me free of something, I think.' It wasn't Holland, or Germany, or the States, or Japan - it was south of the equator. 'It was obvious when I listened to the CD that I was connecting to the culture. 'I get to the place, I try to absorb the culture that I'm in, listen to the language, think about where I am, and that's about the only preparation that might be important,' Jarrett says. Jarrett says it's comparable to an 'out-of-body experience.' But he does try to get a feel for his setting before the show itself. Music Jazz Pianist Keith Jarrett On Fresh Air